Anton Roland Laub
Born and brought up in Bucharest, Anton Roland Laub lives and works in Berlin. He received an MA degree from the weißensee art academy in Berlin, having previously completed his studies at the New School for Photography, Berlin. His recent monographs, both published by Kehrer Verlag, Heidelberg, address the contemporary history of Romania, as well as the legacy of the dictatorship. LAST CHRISTMAS (of Ceaușescu) poses questions about the justice discourse and the institutional memory of the Romanian Revolution three decades later. The work was longlisted for the German Photo Book Prize and shortlisted for the Photo-Book Award at the Belfast Photo Festival. Mobile Churches analyzes dictatorial fantasies that became urban realities in Bucharest of the 1980s. The eponymous solo show was nominated for the New Discovery Award during the 49th edition of the International Photography Festival Les Rencontres d’Arles. Laub was a finalist for the Dummy Book Award at the Unseen Photography Festival in Amsterdam and Les Rencontres de la Photographie in Arles. The resulting photo book was selected for the FOLA Photobook Award in Buenos Aires and was part of the PhotoBookAthens exhibition at the Benaki Museum during the European Month of Photography, Athens. Currently, he is preparing the last publication of his trilogy, supported by the Visual Arts Research Stipend of the Senate Department for Culture and Europe, Berlin, and the Publication Grant of the Stiftung Kulturwerk, Bonn. Addressing the division of society and the unspoken trauma of physical violence, MINERIADA raises awareness for recursive events, in a world that is becoming increasingly polarized again.
Find Anton Roland Laub here:
https://www.antonlaub.de/
https://www.instagram.com/anton_roland_laub/
LAST CHRISTMAS (of Ceaușescu)
LAST CHRISTMAS (of Ceaușescu) examines the institutional memory of the Romanian revolution three decades later. I visited museums that bear witness to the events of that time and questioned their transparency, or to what extent it is merely claimed. The focus is directed at the agency of things and what they reveal or conceal. The work investigates constructions of power and the latency of controversy related to injustice and disorientation.
While the overthrow of the other East European dictatorships in 1989 was mostly peaceful, Romania’s Revolution ended in a bloodbath. Leaders called upon civilians to fight against nameless “terrorists”, leading to a great deal of friendly fire. The events of those violent days remain shrouded in mystery and intrigue, leaving the question: was it a people’s uprising or a staged coup d’état?
The eponymous photo book came on the longlist of the German Photo Book Prize in October 2021, published by Kehrer Verlag, Heidelberg, edited by Frizzi Krella, with texts by Frizzi Krella and Lotte Laub.